JEMMA OOI WALLPAPER
Show more Selected work Contour collection. Jemma has curated the annual exhibition pens and needles since , where invited artists and designers within and outside textiles and fashion are asked to respond to a brief that allows them to challenge their perceptions of stitch and the limitations of paper, perforation and image. Do you have a preference between the two modes of working? The pair met whilst studying on the textiles MA at the Royal College of Art and soon realised that they had shared sensibilities when it came to approaching materials and processes as well as design, which is still often characterised by bold but sophisticated graphic shapes and forms. Printing inks through a variety of mesh counts, allows us to explore fine layers of colour to thicker and heavier print pastes, dependent in the finish required. Screen printed wallpaper and cornelli embroidered textiles and upholstered furniture blocks.
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Do you have a preference between the two modes of working? Custhom specialise in hand silk screen printed wall coverings. Sourcing quality raw je,ma, the studio focus on subtle details to create unique products through their methods of creating.
Jemma has curated the annual exhibition pens and needles sincewhere invited artists and designers within and outside textiles and fashion are asked to respond hemma a brief that allows them to challenge their perceptions of stitch and the limitations of paper, perforation and image. On the flip side, making a collection can often be a lengthier process because there is ultimate freedom and not a lot of boundaries.
Using traditional methods of printing for a crisp graphic finish, in a huge ranges of colours and print finishes. We both come from textile training, which is an incredibly open minded approach to how materials are handled, how colour can affect all aspects of design. Working to a brief is often a quicker process because we are not changing and redefining the concept as discussions evolve.
About Studio Custhom
Custhom has a detailed approach to materials and processes. There are pros and cons to each way of working jemam both are challenging — but we enjoy them both.
Don’t show this popup again. Working with a British embroidery factory, we are able to embroider directly onto non-woven wallpaper, using polyester for high shine to ceramic cotton threads for a flat Matt finish. We have a systematic but not necessarily conventional route to investigating new and unusual methods of production. After developing starting points, we tend to work independently, gathering information and oo to build a picture and narrative to support what we are thinking.
Inviting to the touch and adding tonal elements of a single thread colour dependent on the angle of the viewer. From their first windowless space they created hand printed wallpapers with stitch and foiled finishes, embroidered fabrics, cushions and stationary. Your email address will not be published. How wallpaper can carry colour and texture are also interesting to us.
Notify me of new posts by email. Producing wallpapers and interior furnishings. The scale at which paper can be produced can completely transform the feeling within a space. The studio aim to challenge user interaction and creativity in the application of manufactured wallpaper and also how they work within these confines to create a unique response to each outcome. We have both loved working with paper from the start.
Leave a Reply Cancel reply Your email address will not be published. We are also not precious to how processes are conventionally or traditionally used and therefore take an experimental approach to testing and developing designs.
This process has considerably less wastage than any print method and is solely made in the United Kingdom. We tend to work with interior designers or architects who use bold graphics in their schemes, are confident in their use of colour and clean lines — and have clients that trust in their vision!
The multi head needlework provides a delicate and intricate aesthetic to the wall coverings. The luxury of such equipment and even light was a pipe dream for the ool duo when first setting up studio back in Screen printed wallpaper and cornelli embroidered textiles and upholstered furniture blocks.
Studio Visit – Jim Biddulph with CUSTHOM | Design Insider
The contrast of fragility and strength of the material itself, the structures it can create when folded, perforated and stitched and the textures it can hold and withstand leave so many opportunities for experimentation. How do you avoid this, or are you generally always on a similar page to one and other? Notify me of follow-up comments by email. Show more Selected work Contour collection.
Bright light streams in to a studio crammed full with a CAD embroidery machine, screen print table and material samples galore. Why do you think that might be?